What Kathleen's doing on her new album, The Coming of Spring, is delving into the heart of the tune, perhaps the most sacred duty of any Irish traditional instrumentalist. Her ornaments never obscure the melody and never homogenize the sound of a tune, instead drawing out new facets and directions for the melody.
Her phrasing of each tune is a thing of wonder, employing all kinds of stops and starts in the breathing, and breath rhythms that I rarely hear from whistle players, again all in the employ of better expressing the beauty of these tunes. - [TradConnect]
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